The Origins of Six Missing: A Project Born from Exploration

The Origins of Six Missing: A Project Born from Exploration

Six Missing was never meant to be a project—it was simply a personal exploration of sound. But, like many of the most meaningful creative endeavors, it took on a life of its own. What started as looping guitar textures in a quiet room grew into an immersive sonic world, and over time, it became clear that people connected with it in ways I never anticipated.

The First Explorations

Before Six Missing had a name, it was just me, my guitar, and an obsession with delay. My first real experiments with looping came from playing with an EarthQuaker Devices Avalanche Run, a pedal that immediately reshaped how I thought about sound. There was something hypnotic about the way loops stacked on top of each other, morphing and dissolving into infinite variations. That feeling of endless possibility became a central theme in my work.

In those early days, my setup was minimal—just a handful of pedals and a Fender Deluxe Reverb. But I found that simplicity gave me room to explore, to push the limits of what I could create with just a guitar and a delay loop. Over time, my experiments expanded. I brought in more effects, more layers, more intention. Eventually, my sonic palette grew beyond guitar-based looping into something more expansive.

The Shift to Synths & Ambient Soundscapes

As I refined my approach, I realized that I wasn’t just interested in playing music—I was interested in sculpting sound. That shift led me to synthesizers, which opened up an entirely new world of textures. My first synth, a Korg Minilogue, was an introduction into synthesis, but it was my discovery of vintage synths that truly changed everything.

The Moog Matriarch, Moog Minimoog, and Prophet-6 were my first foundational synths, shaping the sound of Six Missing. These instruments had a warmth and character that modern synths often lack, and each one brought a unique voice to my compositions. The imperfections—the slight warbles, the unpredictable modulation—made the sound feel alive. It was around this time that Six Missing began to take form as more than just a series of experiments.

The Name & The Meaning Behind It

The name Six Missing came from an eerie, almost supernatural experience in West Chester, PA. I was staying at a friend’s studio near the site of the Battle of Brandywine, and late one night, I felt an overwhelming presence—something I couldn't explain. It was as if I was being watched, and for a brief moment, I felt a cold sensation press against my back. It wasn’t until later that I learned about six soldiers who were unaccounted for from that battle. The experience stuck with me, and when it came time to put a name to my music, Six Missing felt inevitable.

Finding an Audience

For a long time, these pieces were just for me—an outlet, a meditative process. But when I started sharing them, something unexpected happened: people resonated with them. Listeners told me they used my music to focus, to meditate, to calm anxiety. It became clear that Six Missing wasn’t just about me—it was about creating space for others to feel something, too.

When I officially released my first collection of ambient compositions, I was floored by the response. The music found its way to people who needed it, and that encouraged me to keep going. I leaned further into the emotional core of the project, refining the way I approached sound design and composition.

What Six Missing Represents Today

Today, Six Missing is more than just an experiment—it’s a way of being. It’s a reminder that music can be a space for reflection, for stillness, for deep listening. Every piece I create is rooted in the idea of giving listeners a moment to breathe, to reset, to simply be in the present moment.

This blog will continue to explore the themes that have shaped Six Missing, from my struggles with addiction to my relationship with running, meditation, and self-discovery. Music is the thread that ties it all together, and I’m grateful to share this journey with you.

Until next time, Your fellow human just being.

• Six Missing

Who I Am & Why I Make Music

Who I Am & Why I Make Music

Music has always been a way for me to process the world—its beauty, its weight, and the in-between spaces where emotions live. From my earliest memories, sound fascinated me. I was drawn not just to melodies but to the textures of sound, the way it could envelop you like a warm embrace or stretch out into the distance like a horizon at dusk. That fascination never faded; it only deepened, eventually leading me to create Six Missing.

A Sonic Beginning

My journey started with the piano, my first instrument. While I found traditional lessons slow-paced, I quickly discovered that I could play by ear, and that felt far more natural. But it wasn’t until I stumbled upon my Uncle Chuck’s 1964 Gretsch Clipper in my grandparents’ attic that my love for music truly ignited. Surrounded by stacks of vinyl records, I felt an instant connection to the instrument, sparking a passion that would guide me for years to come.

Like many guitarists, I was shaped by classic rock, and Led Zeppelin’s IV was my gateway. The moment I heard the solo in “Stairway to Heaven,” I was hooked. But it wasn’t just the guitar work that fascinated me—it was the atmosphere, the space between the notes, the way sound could transport you.

The Path to Six Missing

As I grew, my musical tastes evolved. I explored delay pedals and looping, captivated by the infinite layers they could create. My first pedals—a Jekyll & Hyde distortion, a Zoom 606 multi-effects unit, and eventually a Boss DD-6—opened the door to soundscapes that felt boundless. By the time I transitioned to synths, beginning with the Korg Minilogue, my focus had shifted from traditional songwriting to immersive sonic exploration. Discovering vintage synths like the Moog Memorymoog and the Juno-60 further deepened my understanding of texture and space, shaping the sonic identity of Six Missing.

But the defining moment for Six Missing came in Astoria, Queens. What began as a simple guitar looping project evolved into something deeper. Encouraged by friends, I released my early ambient explorations, and the response was unexpectedly encouraging. It was clear that people connected to this music—not just as entertainment, but as a space for meditation, deep focus, and healing.

Why I Create

For me, music is more than sound—it’s a means of connection, a way to navigate the complexities of being human. I’ve found that ambient music, in particular, holds a unique power. It allows the mind to wander, to rest, to breathe. It can offer solace in moments of anxiety, a moment of stillness in a chaotic world.

That’s why I create. Whether it’s for someone meditating, studying, or simply needing a pause from the noise of everyday life, my goal is to craft soundscapes that offer space—to think, to feel, to just be.

This blog will be a place to share my journey—how Six Missing came to be, the struggles I’ve faced, and the inspirations that continue to shape my sound. If you’re here, I hope you find something that resonates with you.

Until next time, Your fellow human just being.

• Six Missing

A blog.

So, you might ask yourself, “what is TJ doing writing a blog? Doesn’t he already do so much?” And the answer is well…I don’t know and…yes.

I thought it could be fun to start a longer form writing practice as I’ve found my newsletters can get a little wordy. But that’s the thing - I am so passionate about what I do and how I do it that I find it nearly impossible to condense it down to what are essentially bullet-pointed thoughts in a newsletter.

Alas, we’ve arrived at “the blog.”

I suppose you could say I missed the boat back in the early 2000s when everyone was blogging and writing posts - I think it would’ve probably helped me become more popular within the Instagram world earlier too had I done that. But I was too busy occupying myself with other things - namely music. Truthfully, I didn’t even really understand the purpose of Instagram when it first started. Share photos? Why? But very quickly the photos became a way to reach people and then people saw the power of that and figured out a way to upload videos. But then the videos could be used as a way to brand yourself and now you’re competing with actual brands so your videos had to get better; look better, sound better, be snappier. And now we’re making Reels and the trend is to make a 6 second reel, so on and so on…

It’s massively overwhelming being an artist, period. I don’t care what time you were or are one, it’s hard. Off the bat you’re a person who likely “feels” more than your average person so you’re acutely aware of human emotions, the human condition, nature, animals, all of it. Take that “feelingmachine” and drop it into a world where you have to advocate for yourself and your art 24 hours a day and you’ve got yourself quite the situation. But I actually love it. I love sharing my work and who I am and how I make my art. I truly enjoy hearing about the connections it makes with people and not in the self-stroking-ego way, but in the way that makes me feel truly good that I was able to drop some positivity into this chaotic world.

Here we are now. Coming back to the blog.

Is blogging more or less journaling? Maybe I’ll use it that way. There are already so many people out there using longform blogs as a way to catalogue their methods and work so I don’t feel the need to fill that void. Rather, I want to share more about who I am and the person that is behind my work. Perhaps you’ll find things that you connect with and say “hey, I feel that too!”

Okay, so. Blogging. Blogging.

Time see where this goes!